A Chic Retreat: My Master Bedroom

The master bedroom was part of our second floor addition, and while it’s not a huge space, it more than serves its purpose as a luxurious room to relax and rejuvenate in with a king size bed, small vanity and a bank of dressers for tons of clothing storage.

I’ve always been on board with calming fluffy white bedrooms, but I decided to shake it up by introducing a major statement rug and some other attention-getting accents. The result is still a very restful space, but the bold hit of pattern and colour give it more personality.

I needed a palette that would be grounding and not too feminine, and I found my unlikely colour combination  inspiration in this dreamy Grand Tenue Hermès silk scarf which features my favourite regal violet, classic navy and a cheerful sky blue.

I took the colour inspiration to ELTE where it was translated into a custom ikat rug.  The three colours are so vibrant and I love the eclectic ethnic vibe it adds to the space.  The making of the custom rug was such an interesting process, that I’m going to be chronicling how it came together in a separate post later this weekend so stay tuned for that.

The nightstands were the result of an IKEA tarva hack us design editors did for a special makeover issue of Style At Home. After all that gold leafing, I knew I wanted to enjoy the fruits of my labour past the shoot, so I cut down the legs by a few inches so they would sit at a more bed-friendly height. I love all the extra storage it provides but I am, however,  not in love with how the drawers glide (they’re always getting stuck), so one day hopefully they can be replaced with the inspiration behind the hack: Suzanne Kasler’s tuxedo chests in a creamy ivory lacquer.

Because the headboard was so tall, I wanted lamps with presence. The Nola lamps by Mitchell Gold + Bob Williams that I picked up at ELTE were a perfect fit with their elongated base and gold accents, which tied them to the nightstands perfectly. 

For the headboard, I went with the tall upholstered Milano from Barrymore Furniture with simple clean lines and three rows of button tufting. I used a creamy ivory linen, Fabricut’s Brother in Snow, which complements the warmer ivory tones of the wool carpet. I chose a headboard only, as opposed to an upholstered bed frame, because I like having access under the bed. In order to give that same finished look as a platform bed, I had Cooper Bros. sew a custom bedskirt in the same linen – a great cost-savings trick that can also be sent out for cleaning if needed.

For the bedding, I visited my favourite linens boutique in Toronto, Au Lit Fine Linens. I have always loved the hotel look, with a graphic banding detail, but for extra pizzazz, I decided to go with their scallop design. Outlined in navy as opposed to a more girly colour, it tones down the frill factor while still looking very refined.

Even though the headboard and drapery fabric is a warmer ivory, I decided to go with classic white sheets instead of matching it directly to the headboard. The cream was beautiful, but white is a total classic that you can’t go wrong with, and custom king size bedding is an investment that you want to ensure will work for you over time! If you’re into beautiful beds like me, be sure to check out my “in bed with” post on the Au Lit Blog for more

To top off the scalloped bedding, I chose a single rectangular Madeline Weinrib cushion in her Blue Mu fabric to echo the ikat rug. A rich navy diamond matelassé coverlet folded at the end of the bed is the final punctuation of colour and completes the bed beautifully.

In addition to sewing the bedskirt, Cooper Bros. were also responsible for updating my grandmother’s antique tub chair with a slick new upholstery job. Recovered in Maxwell’s platinum vinyl in pearl, it looks totally fresh and even more importantly, will stand up to wear and tear.

The same Fabricut linen as the headboard and bedskirt is used for the blackout lined drapery panels. To bring in a hit of navy, the leading edge of the drapery panels have a wide grosgrain ribbon from Mokuba sewn on. In order for the crown moulding to run uninterrupted across the window (which was specified too large to fit under the moulding ), a plaster valance box was created for one seamless line. The drapery hardware runs underneath on a track, and the result is not only functional but looks very finished as well.

I wanted to pair something traditional with the modern parsons vanity it for some tension and to help tie it to the rest of the house’s gilded accents, so I looked for beautiful vintage options in Miami, I came across pairs of these solid brass bamboo and chiavari chairs. I’ve always loved the classic chiavari design, plus they were already upholstered in purple so it was meant to be!

Baby Buy: Carlymegan Love You Forever Blanket

I found out about this beautiful blanket in the most delightful way: a pair of them was gifted to me for my boys – lucky Jack and Charlie!  Made from organic cotton knit by carlymegan, the lightweight and super soft blanket spells out the famous words: “"I'll love you forever, I'll like you always, as long as I'm living, my baby you'll be,” in graphic black and white with little heart accents.

Obviously like any other red-blooded human, the book “Love You Forever” holds a near and dear place in my heart – even more so now that I am a mommy myself – and as you know I also adore black and white, so these were practically made for me!

The blankets appear to be sold out for now, but check out carlymegan’s site for other adorable handmade baby items, like her amazing PJs!

My Puuuurfectly Glamorous Powder Room

Ah the powder room. The one space in the home where you can go buck wild with your design scheme. It’s usually isolated enough from the rest of the house’s principal spaces, either tucked into a nook or at the end of the hallway, and is often light-locked without any windows. This small bathroom is  just begging for some wallpaper or a snazzy vanity, so it took me months to narrow down my options and finally decide on how to jazz up my own.

Those who know me are well aware I have an affinity for leopard, cheetah, ocelot and even tiger prints.  Basically any exotic cat is fair game for me when it comes to choosing patterns for interiors or fashion, so that’s why I chose Thiabut’s Tanzania for my wallpaper, which is a decorator classic.

It was a very close call though with another wallpaper pattern: Hermès’ Equateur, which has a leopard at the centre but also a host of other wild creatures, including a SLOTH! Of course being Hermès, it is a small fortune, so I considered installing the same wainscoting profile as in the foyer so I’d need less yardage, but in the end I still couldn’t swing it so Tanzania it was! I also considered Fornasetti tiles at one point, which also are not exactly budget-friendly, but that’s another story for another post…

Because the powder room is guest-oriented and only has to function as a simple two-piece, you have the luxury of a vanity that follows form more than function. I have always loved the washstand look which is high on style but low on storage, so the powder room seemed to be the perfect place to install one. I wanted it to feel retro and glamorous, so I went with a polished brass version from Canaroma with elegant tapered feet.

For a sleek look, I chose the rectangular Kathryn undermount sink from Kohler, which complements the clean lines of the vanity legs. Because the underside of the vanity is exposed, I needed a sink with a glazed bottom and this elegant model fit the bill. 

I wanted a feature faucet in the same warm metal finish as the vanity, so I chose the geometric Hexis by Rubinet. It has an edgy glam vibe that  I love, which is also repeated in the coordinating paper holder. I went with Rubinet because they also sell brass and gold decorative p-traps and the other pretty exposed plumbing elements you need with a washstand vanity, so I was happy to know the vanity would look beautiful and finished from all angles.

Speaking of TP, you may or may not be wondering where I have extra rolls stashed for guest considering there is nowhere to hide it in the vanity… Well can you imagine that a polished brass basket actually exists for such things? I know there are plenty of toilet paper holders with storage underneath out there, but because I already had a wall-mounted paper holder, all I needed was the extra roll storage, so I was pleased to find a brass one actually existed.

The star attraction of the powder room is Vivian, the malachite mirror from Made Goods. It’s a simple rectangular frame, but the emerald tones of the real malachite stone shimmer and pop against the neutral wallpaper in such a magical way. It borders on ridiculous how gorgeous it is in person and it coordinates perfectly with my art deco malachite glass vase from my grandmother and malachite dish I bought in South Africa a few years ago.

The vintage lightning bolt sconces were another obsession of mine that I admired over a two-year period every time I visited Residential Lighting. I loved their wacky mid-century style so after wavering over them for two years,  I bit the bullet and made them mine. The ceiling height is very low in the powder room, so I needed to find a knockout flushmount and I liked how the Sophia from Circa Lighting added to the celestial vibe of the sconces. I even painted the ceiling in Selectone Paint’s black deco to make it feel like a star shining in the night sky. The black ceiling also mirrors the black nero assoluto floor tiles from Marble Granite Depot.

Last but not least, no powder room is complete without luxurious guest towels, so while in Palm Beach last spring, I ordered a pair of custom Leopard embroidered towels from Kassatly’s on Worth. It was so much fun selecting the thread colours to match my scheme (I of course picked malachite-coloured thread for the grass) and they are such a special finishing touch.

(powder room image by Stacey Brandford)

New Wardrobe Alert: Mossimo Lounge Pants

I knew the recovery from a C section wasn’t going to be all rainbows and flowers, but I was so unprepared for the deflated balloon feeling I’m experiencing with my stomach. I realize having twins pushed my stomach to its limit but holy hell (warning: mom anatomy terminology ahead!) my uterus is still so swollen and painful, making fitting into any pre-maternity pants a pipe dream. This means the only pants I’m wearing these days are sweats and leggings that don’t irritate either my now empty womb/incision and leftover maternity pants- wooo!

 

Considering my fashion limitations, I was very pleased to receive a pair of these Mossimo sweats from my sister, which have a more refined lounge vibe to them as opposed to the bulkier versions of sweats that I often sport. I went up a size to ensure nothing was to snug on my tender stomach and although I still look like I’m 5 months pregnant, I at least feel a little less hefty in these sleeker sweats. And for less than $25 a pop, I bought another pair for myself in black!

Den Before and After

When we toured our home, I loved the small den tucked away above the garage (or as my husband calls it, “the lions den.”) It’s not large by any means, but we were enticed by the idea of having a little refuge off of the master bedroom for watching TV and having some quiet time. I viewed it as a great little bonus space on the second floor and was excited to transform it into a soothing oasis.

The panelling was in good shape and I loved the parquet floor, but unfortunately everything had to be ripped out to accommodate new insulation for the exterior walls and new ducting and a new subfloor. I was sad to see the character go as we updated the structure, but was determined to reinstate that same vintage vibe - but this time with a modern edge!

I achieved this eclectic vintage look by installing applied panel moulding to the walls and painting it out in a surprising soft mint colour: Benjamin Moore Irish Mint 2041-70. Both the trim and walls are in a satin finish, so it looks rich and creamy and totally soothing.

I paired the mint with a dreamy lilac, which reminded me of a colour combo you’d see inside a Parisian patisserie, but set it off with crisp black and white to keep it from feeling too girly girl. The monochromatic art on the walls varies from a reproduction poster to an ink drawing my dad did in the 70s to a tear out from an Hermes catalogue. The lavender flatweave rug by Madeline Weinrib was a lucky score at a sample sale at Y&Co and ended up being the perfect size for the small room.

The success of this unsual colour combo of mint, lavender and black and white works thanks to the fabric that ties it all together: Manuel Canovas’s Dara in torquoise. I have been obsessed with this fabric since I first laid eyes on it in Primavera’s showroom in Designer’s Walk. It’s just bananas. I used it for the accent cushions and trimmed them in black fringe from Designer Fabrics for a classic decorator detail.

For the sofa, I used Robet Allen’s Orvis in black, which is a rich herringbone woven that complements the tailoured lines of the piece perfectly. It was a challenge finding seating with a narrow enough depth for the tight space, but Barrymore’s Gatwick two-seater made the cut at 34” deep . I customized it with a band of white grosgrain ribbon from Mokuba on the skirt and know that the classic shape and compact size will make it a piece I’ll have in my home for years to come.

To punctuate the black and white elements, I used another textile I had been lusting after, this time from Telio’s beautiful showroom. Jim Thompson’s Erminia, a sheer from The Tony Duquette collection that looks like the ermine trim you’d see on a king’s cape in fairy tales, was a perfect choice for tailoured roman shades.

I didn’t have room for a conventional coffee table so I had to think outside the box. West Elm’s hex marble tables had the geometric shape that I loved, and they could be pulled together or apart to allow for optimum flow in such a small space. Only catch: I was not into the aluminum frame. Enter Amaco’s rub’n’buff, which I special ordered from an art supply store. After some well-ventilated elbow grease sessions with a pile of shmatas, my table bases were now a burnished gold, which looks ever so elegant with the carrera marble tops!

The beautiful antique gilded chair in the corner was a treasure I schlepped back from the Brimfield Show trip I took with my fellow editors in the spring of 2012. The chair was just too special to leave behind, even with little bits of carvings missing and the worn down finish. I decided to reupholster it in leather after stumbling upon a remnant of a hide in a delicious mint at Designer Fabrics. The remnant was just big enough to cover the back and seat and I love the way the pastel pops against the luxe gold frame. The frame is so unique that I can see it holding its own in any corner of the house because it’s just that pretty.

The original den also had a narrow built-in unit with an electric fireplace. I’m not really into electric fireplaces (this pyro needs a real flame!) and because of the small size of the room, any actual heat source was ruled out in order to keep it from turning into a sweatbox. The uselessness of the fireplace combined with the lack of depth to fit a cable box led us to start from scratch.

I designed a new paint-grade built-in to house the TV as well display books and tchotchkes above, with hidden storage below. A favourite vintage oil painting I found in my grandparent’s basement, my first piece of original abstract art by Team Macho and a piece of Wedgwood black  jasperware all mingle on the open shelves and reinforce the palette even more.

I needed a mesh inset in the lower doors of the built-in to allow the signal of the remote to travel to the cable box, and splurged on this gorgeous diamond grille from Ginger’s with a rosette detail – the jewelery of the room! This detail along with the other warm metals in the room, including the vintage light fixture from Around the Block, complete the decadent mood of this enchanting little room.

(after photos by Stacey Brandford)